Neil Fasen

Corporate stooge by day and creative hobbyist by night, Neil Fasen is the everyman of mediocracy, balancing idealistic dreams with sellout realities. After many years of making music with friends for friends, Neil continues to seek out new ways to leverage his jack-of-many trades/master-of-none approach to bringing new sonic ideas into the world, even if only to be consumed by a handful of close associates.

Project 29


Project 28

Project 25


Project 23


Project 21


Project 20


Project 19


Project 18


Project 17: Bjork Army of Me This was another project where I learned something helpful about song creation. Make my own song. My version of Army of Me starts out straight, albeit slowed down significantly to create a mellower vibe. At about the minute and a half mark, I just turn it into a “Neil song,” and I like that so much better than trying to cover it straight. In hindsight, I would just chop off the first minute and a half. That part is just boring.


Project 16: Pink Floyd the Wall I sat out.


Project 15: Awesome Songs from Movies I covered Needle in the Hay, because I love the Royal Tenebaums. My favorite part of this cover was recording my Martin in the bathroom and then my baritone ukulele over the top of it.


Project 14: Anything Goes So we could pick anything, and I picked Close to Me by the Cure, a song that I’ve always loved. Years ago I’d had a really interesting idea to cover this using a trumpet and a digital delay. I discovered that after almost 30 years of not actively playing a brass instrument, I can no longer just pick up a trumpet and play it. I had to figure out something else to do with the song that was ok but not nearly as creative as what I’d originally had in mind.


Project 13: 1991 We picked songs released in 1991 for this one, and I choose a few songs from Ween, The Pod, which was a huge album for me. These covered were ok, but I didn’t push my limits in the degree I had for the last project or even the Revolver project.


Project 12: Return to the Playlist This was one of my most enjoyable projects. I love the Breeders, so I tried to honor the original and cover it with (hopefully) a version that respects the original without attempting to replicate it exactly. Shiloh was just plain fun. I just threw heavy auto-tune on a rough vocal and liked how funny I thought it sounded. I could’ve spent more time getting a more accurate vocal track to work with, but I liked how extra warbley it sounded.


Project 11: The Kinks We decided to pick an artist, and have everyone cover songs from that artist. The Kinks won. I didn’t spend as much time on this as I had the previous few projects, and it shows. It’s not my worst cover, but I have trouble listening to it and not thinking about all of the things I’d do differently.


Project 10: 1977 When we picked 1977 as the year from which we’d choose songs, I knew right away what I wanted to cover. Billy Joel was one of my older brother’s favorite musicians, and I great up absorbing his music. Vienna has always been a favorite Joel song of mine. At this point, I still struggled with mastering and this recording was exceptionally quiet. I also used the first take scratch vocal track I’d recorded in my noisy basement, so it’s got a lot of background static. It sounds more like a karaoke version, but I’m ok with that.


Project 9: Revolver This was our first full album project, and I ended up with the opening track, Taxman. I loved the weird and oddly challenging bass line for this song, which some believe was played by George. I tried to play with juxtaposing a very artificial midi generated sounds with more natural instruments and messed around with autotune a little more than before. Matt Rahaim really brought it all together with his amazing swelling synth track over it all.


Project 8: Women In Music I had a lot of fun trying to figure out my version of reggae for this cover.


Project 7: Do It Yourself This was more of a learning journey than a song writing exercise for me. I wanted to try out some iPad apps and figure out ways to work across an iPad and a laptop. Though the song itself was a bit of an afterthought / means to an end, I do like a few of it’s moments. I later listened to the song again, took all of of the drum tracks that I’d experimented with, and realized it was 100 times better without them.


Project 6: Leftovers My basement construction was complete. I now had a dedicated room to use for recording, and I knocked out three tunes for the first project in 2021.


Project 5: Winter Songs At this point, my train-wreck of a mold-infested, money-pit house, had rendered my basement unusable, as everything was torn up. I had limited time and space to record. I hurriedly knocked out these songs, recording them in the basement of the home of some friends who moved to California for the winter. Not my best work.


Project 4: Fall Covers I went a little crazy with this project. “Walking on a Thin Line” was simply me indulging my desire to sing loudly. The interlude in “Orion” contains one of my all-time favorite bass lines, so I had to at least record that portion of that song.


Project 3: Late Summer Playlist Challenge By this project, I’d developed a pattern. I’d pick a song that had the most enjoyable bass line, in my opinion, and I’d pick whatever song seemed like it could be covered relatively simply.


Project 2: 5 Song Playlist Challenge I started to figure out more effective process and started collaborating with Tom Stromsodt on some tunes. The Gonzo cover I consider to be among my most successful of my basement sketches covers.


Project 1: The Original Playlist Challenge
Theses were the first quickly created basement sketches covers. Clearly, I was just figuring things out in this initial project.

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Tom Stromsodt