Project 30: Songs From 1994

For project 30, the assignment is to cover songs from albums that will turn 30 years old in 2024. Lots of important and memorable music came out in 1994, so there’s a lot to choose from.

Bad Days: the Flaming Lips
Sunshine:by Low
By Eric (Czahr) Scott’s

1994 was probably the most eventful year of my entire life.  I tend to rattle on longer than I should in these pieces, so I will try to be as brief as I can because I could write a book about 1994. 

 My earliest memory of 1994 was the death of Kurt Cobain.  Like many aspiring musicians at the time, I was deeply inspired by Nirvana and while I wouldn’t say I idolized Kurt, I definitely saw him as an inspiration, a guru. His death hit hard.  I am not a scrapbook making person, I don’t even like looking at them, but I made a Kurt scrapbook using all of the photos and bits of texts I could find and cut out of the dozens of magazines I had laying around.  It was my way of grieving I guess.  I just found the scrapbook at my mom’s house last year and couldn’t look at it.  I put it in the recycle bin. 

More big events:  I graduated high school.  I went to Lollapallooza and met the Flaming Lips, who signed my copy of Providing Needles for your Balloons.  I took a road trip to North Dakota with a friend and drove straight home to Minnesota from the Mt. Rushmore area on no sleep and lots of pot, hallucinating by the time I rolled into my driveway.  I moved away from home and started college.  I helped friends move away from their homes to start college.  We were now out in the world for the first time, on our own.  I made long journeys to visit those friends, who had been part of my close-knit group but were now scattered across the state.  I experienced dorm life, and hated it, and skipped out of my dorm contract to live lease-free in a town-house with new friends.  At that townhouse I had my first new-music-knocking-me-on-my-ass experience of 1994.  One night I was in my room and heard a strange, droning version of You Are My Sunshine wafting down the hall from another room.  Like a hungry cartoon character being pulled through the air by the scent of food, I drifted out of my room. I found myself at my roommate Mike’s door saying “What.  Is.  THAT?”  He showed me the album I Could Live in Hope by a new band called Low and I BEGGED him to let me borrow it.  He handed it to me and I listened to it repeatedly for the rest of the night.  The next day I went to the Electric Fetus and bought my own copy.  Up until that album, I had no idea a band could be so deliberately slow and minimal.  It was beautiful and enchanting and sparse and I have had a deep affection for Low ever since.  Mimi’s passing in 2022 was absolutely heartbreaking. 

 1994 began with a tragedy (Kurt) and ended with a near-tragedy.  Late that December, while driving along an arrow-straight stretch of country road with my good friend who I wanted to be my girlfriend but was too cowardly to do anything about, I hit a patch of black ice and rolled my truck three times, totaling it.  We were listening to Transmissions from the Satellite Heart by the Flaming Lips. The song Superhumans was playing. “One in a while, the time will come, to surrender everything you have to give…” CRASH.   In the seconds after the crash, as we sat upside-down in the truck making sure we were both alive (neither of us had so much as a scratch), everything was dead silent.  Then the stereo abruptly came back on. “I would have given up for you!  I know they’re gonna bump and collide!”  I laughed so hard.  We both laughed.  If you’ve ever laughed in the face of disaster, you know how amazing it feels.  My beloved truck was dead, but my friend and I were both alive and unharmed, despite not wearing any seatbelts.  We had rolled into a safe part of ditch that sat squarely between a massive hole and a massive pile of dirt that had been removed from the hole.  Hitting either of those things would have given this story a much different ending.  The next day I had a girlfriend.  

So, my songs.  Many of my favorite artists had albums out in 1994. But for me, The Flaming Lips and Low are the standouts because of the deeply personal experiences I had with both.  Bad Days has been my personal anthem for many years (I always look forward to Dreamland), and has been one of my favorite Flaming Lips songs since it came out.  While officially being a track from the 1995 album Clouds Taste Metallic, it was first released in 1994 on an often overlooked album that the Lips hastily threw together to have something to give their legions of new fans in 1994.  If you’ve never heard Providing Needles, check it out.  It’s a fun hodge-podge of random recordings, including some recorded at the old Northern Lights in Minneapolis.  For my version, I was in the slowdrone mindset after spending some time with Low, so I thought it would be interesting to take the upbeat song and turn it into more of a minimalistic lullaby.  It's just guitar and some weirdo synth. The lyrics worked well with the different tone and I like the results. 

Sunshine is already a cover, so I felt a little hesitant about covering a cover, but I decided to do it faithfully and add just a little bit of my own cosmic goop in the second half.  There are several songs on I Could Live in Hope that I wanted to cover, but I thought that more than any other Sunshine would be a fitting tribute to my relationship with the band since it was the one that hooked me.  I’m happy with the results, and if you like what you hear and have never spent any time with Low, start at the beginning and give them a try.  There’s truly never been another band like them.  

I also just noticed while writing this that my submissions “Bad Days” and “Sunshine” pair cutely with my previous submission “Good Day Sunshine”.  This was not intentional, but I give the Universe a high five for making it happen.

When I Come Around: Green Day
By The Dirtpops (Troy and Shelly Warling)

Troy looked at the assignment and it was between a few different songs, but we just knew, when this song came through, it was the song for us. We chose When I Come Around by Green Day from the Dookie album, released in 1994. 1994 is the year that we became a couple and started on our current journey.

Starfield Road: Sonic Youth
By Jacob Sharff

I bought Experimental Jet Set on cassette when it came out - probably because it was cheaper than the cd, but also mainly because I didn't have a cd player in my car.  It was among the various cassette tapes that slid around on the dashboard of my crappy '85 honda civic and contributed to the soundtrack of that summer, which was spent mostly cruisin around with friends, going to shows, being dumb and pretty much just hangin out doing nothing.  I love how a record has the power to transport you back to a specific moment in time.  I can still feel the transmission grinding in that ‘85 civic, windows down, tape deck cranked. "Violent lovin, yeah. Kissing golden.. we're going insane..."

Creep: TLC/Closer by NIN
Cotton Eye Joe
By Tom Stromsodt

I was running through songs from '94 and once I discovered that TLC's “Creep" and NIN's "Closer" bore the same key and general tempo; well, who could resist? I also "covered" Cotton Eye Joe.  I wanted to do a slower, more yearnful version than the ubiquitous wedding version from 1994.  I ended up watching Swiss Army Man days after finishing and soon realized that this had already been perfected but here is my version anyway.  Anyways, it's always fun and I look forward to hearing everyone's songs!"

Voodoo Lady: Ween
By Mike Bettison

Me and my buddy Ryan Brosious put this one together. I did the music and Ryan brought the vocals. It was a ton of fun reconceiving the middle part and I spent alot of time trying to make it into an acid trip. This is from Ween's fourth album, Chocolate and Cheese. For the production I used Ableton along with NI Session Guitar, NI Cuba for the percussion sounds and the middle drum sounds and grooves came from the Damage from Heavyocity.

Stop Breathing: Pavement
One Foot in the Grave: Beck
By Colby Heston

In 1994, I worked as a Pizza Hut delivery driver and spent a lot of time in my car. I had a dub on cassette of Pavement’s “Crooked, Crooked Rain” on one side and Beck’s “Stereopathic Soulmanure” on the other. There were many hours spent listening to that tape on repeat, so when Project 30: Songs from 1994 was announced, I thought that it would be cool to pick a song to represent each side.

I almost didn’t get done with the Beck song but thanks to the extension, I was able to pull it of.

Enjoy.

Birthday Sandwhich: godheadSilo
By Andrew Charon ft. Lucy Reverie

This was a fun challenge, there were so many great albums released in 1994. I realized that godheadSilo released their first album this year and thought it’d be a fun one to pick. I wanted to challenge myself to do an acoustic song out of my comfort zone. Half way in I realized that I wasn’t sure what a birthday sandwich was and wasn’t sure if it was code for something. However, after some investigation I came to the conclusion that sometimes a birthday sandwich is simply a birthday sandwich. Anyways, I’m happy with how this one turned out as it was a bit more of an analogue technical challenge. A special thank you for Mike Bettison who did a wonderful job with the initial recording of the guitar. And, it was great to work with Lucy again on vocals. Also, kind of wild reflecting about how I met a few basement sketchers around 1994..

Return to Innocence: Enigma
Cover by Randy Dever

When browsing songs from 1994 for this project, this one came up and I thought it would be kinda funny. Funny because I always thought it was a super corny track and that I pay no reverence to “New-Agey” things. I was encouraged to cover this from a couple people I respect.

It appears that I, and most others, assumed that the opening melody either is, or mimics Native American song. I thought I shouldn’t mess with it for fear of disrespecting. Whelp… research indicates the melody is of Taiwanese origin and we should all feel foolish for jumping to that conclusion, based on ignorance and what we assumed to be stereotypical Native American vocals. 

Why is it then okay for me to cover a Taiwanese tune but not Native American? Is it okay? 

ANYway…

The original employs the “When the Levee Breaks” beat. I sampled a flavor of that beat from a recording of my old band(called Orange 17) that our dear friend, Andrew Charon, made in my parents’ basement in 1995. I built on that with my typical mix of vocoders and churning guttural and non-guttural synth sounds.

The result… 

I couldn’t help but internalize the positivity and uplifting message of this cornball song and feel I am maybe better off for it. 

In conclusion:

The song serves as a much-needed counterpoint to Don Henley’s 1989 “The End of the Innocence”. Henley sucks, lol.

Burn: Nine Inch Nails
By Ian Royal

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A Suite of K Records Releases from 1994: Kelly Duclos & Daniel Joest

Ich stelle Ihnen meinen Freund aus München vor, Daniel Joest. Dany and I met in 1999 and have been collaborating on recordings via the internet since 2020. 

I Have Seen the Land Beyond by Beck from One Foot in the Grave - 1994
Way back in the day, we jammed many tunes but I Have Seen The Land Beyond was one of our favorites. Dany knocked out guitars, vocals, percussion and something called Thermal Detonator the day after I proposed this collaboration. We got ambitious and decided we could do a couple more.

Hollow Log by Beck from One Foot in the Grave - 1994
I started this one on 4 Track cassette and transferred it to digital. No click tracks here. Dany added synth strings and vocals which I transferred to cassette and sent back to digital for some texture and some unpredictable sounds.

Freedom Ride by The Halo Benders from God Don't Make No Junk - 1994
I'm very grateful to be able to contribute to Basement Sketches and partner with my long distance friend. Without these, I would never have dreamed of attempting this tune. Damn, it's a rocker and was good fun to make. Channeling Calvin and Doug. Dany played the instruments, sang and implemented the Thermal Detonator again. I added some vocals. 

All Mixed Together: Archwelder Cover
In the Garage: Weezer Cover
March of the Pigs: NIN Cover
by Grant Eull

Once again it was difficult to narrow down a selection of songs to cover. 1994 was an amazing year for music and a very nostalgic one to recall for me. Lot’s of time spent at First Avenue and The 7th Street Entry as bands came into town on tour and local acts inspired my own band at the time. When doing research for songs released that year it took me back to those times, big time. Ultimately I had to narrow things down. I remember seeing Weezer in the main room, and moshing to Acwelder’s All Mixed Together in the Entry like a million times so those memories triggered those selects. I always loved The Downward Spiral album from NIN and wanted to include something with snyths. I was super nervous to scream that one, but I am satisfied with how it turned out. I was hoping to also include Headache by Frank Black and Your Favorite Thing from Sugar because they both fit my 1st Ave theme and the fantastic memories from the early 90’s in those rooms. In 94 I could only dream to play the mainstage but I am happy to say that in 97 that dream came true and stayed true for many years to follow. I am very excited to hear what others decided to cover and looking forward to listening to some great stuff from 94. Thanks again for the chance to remember some great times of the past and share with this group.

Skull B Side: Sebadoh Cover
by Kelly Duclos (Class of 94)

There were so many great albums released in 1994. I went through a lot of them for several days before settling on the B side of Sebadoh's Skull 7": Punching Myself... and Sing Somthing/Plate 'O' Hatred. I love the sound of it and the flow from one song to the next so I tried to celebrate that and recreated it as closely as I could. It was recorded on 4 Track and transferred to digital for mixing. 

Glory Box: Portishead cover
by K.C. McKee

My submission is originally by the English trip hop group Portishead, and is the third single from their 1994 debut LP 'Dummy'.

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